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Михаил Шемякин, Марина Кеслер - Steps, Ladders, Stairs in Art. Volume 1

Originally published in Russian as «Лестница в искусстве» by the Mihail Chemiakin Centre with the support of the Antropov Foundation, 2018.

This publication was effected with the help of the Preservation and Digital Transformation of World Cultural Heritage Foundation (Moscow).

The Mihail Chemiakin Centre would like to thank Andrei Georgievich Reus and Alexei Borisovich Antropov for their invaluable support of Mihail Chemiakin’s Musée Imaginaire, as well as

Tatyana Chemiakine, Marina Kesler, Leigh Warre, Vladimir Ivanov and Alan Lamb for their help in the preparation of the exhibition and catalogue.

Concept, compilation, analysis – Mihail Chemiakin

Image pre-production – Sergey Krylov

Exhibition curator – Olga Sazonova

Translations – Sarah H. de Kay

© Algis Grishkevicius (LATGA), Andre Nagel (BILD-KUNST), Garcia Fernando Garcia (VEGAP), Gerardo Feldstein (SAVA), Jakomo Balla (SIAE), Joe Tilson (DACS), Joseph Beuys (BILD-KUNST), George Brecht (BILD-KUNST), Dorothea Tanning (ADAGP), Joan Miro (ADAGP), Ivan Ignacio Navarro (ADAGP), Yinka Shonibare (DACS), Ilya and Emilia Kabakov (BILD-KUNST), Christoph Medicous (BILD-KUNST), Larisa Stenlander (BUS), Louise Bourgeois (ARS), Marina Abramovich (BILD-KUNST), Marc Chagall (ADAGP), Marseille Duchamp (ADAGP), Massimo Campigli (SIAE), Peter Klemensovich (ADAGP), Paul Bury (ADAGP), Rene Magritte (ADAGP), Robert Raushenberg (ARS), César Martinez Silva (VEGAP), Sophia Hülten (BILD-KUNST), Stephanie Zohe (BILD-KUNST), Fernand Léger (ADAGP), Hans Hemmert (BILDKUNST), Juan Muñoz (VEGAP) Reproduced per a license agreement with UPRAVIS.

Reproduced per a license agreement with UPRAVIS.

«A ladder, quick, give me a ladder!..»
Gogol’s last words, noted by Dr. A. T. Tarasenkov 20 February 1852

Aurelia Raffo, Ugo La Pietra in The Big Chance, 1972, photograph

Exhibitions

2000 – The Sphere in Art

2002 – The Reaper: Images of Death in Art

2003 – The Hand in Art

2004 – Monsters in Art

2005 – The Metaphysical Head in Art

2006 – Out of Focus: Blurred Images in Art

2009 – Not Made For Walking: Shoes in Art

2010 – Cries in Art

2010 – Images of Death in Art

2012 – Seats of… Chairs in Art

2012 – Disturbed Images: Cuts in Art

2013 – Children in Art

2015 – The Automobile in Art Letters, Words, Text in Art

2016 – Clothing in Art

2018 – Swaddled, Bandaged and Wrapped Figures and Objects in Art

2019 – Steps, Ladders, Stairs in Art

Musée Imaginaire

“Musée Imaginaire” is a research project created by the artist and sculptor Mihail Chemiakin. At its core is the analysis and academic classification of object, artistic devices, signs and symbols in the works of various genres of visual art. The analysis is conducted through the juxtaposition of images culled from books, exhibition catalogues, engravings, and photographs of works in museums. In decades of work on this project, Chemiakin, working not only as an artist but also as a philosopher, analyst, art historian and educator, has created a unique research laboratory-library of artistic expression. The research materials reveal whole previously unexplored areas of world culture, and demonstrate how an image is transformed and interpreted in the art of different cultures and epochs. Among approximately 400 themes examined in the context of the research are “Children in Art”, “Images of Death in Art”, “Blurred Images in Art”, “The Hand in Art”, and the subject of this book, “Letters, Words and Text in Art”. The laboratory and library are currently housed in the artist’s studios at his residence in France, where artists and art historians come from Russia to study.

The Russian television channel“ Kultura” produced a series of 21 filmed lectures titled “Mihail Chemiakin’s Musée Imaginaire” in 2002–2009. In 2003 the series was nominated for the TEFI award, and was awarded four prizes at the VIII International “Velvet Season” Television Festival, for best film in the category of “Cultural and Educational Programming”.

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